GRIPS are hired in the motion picture and television industry and execute a variety of tasks in the process of film making~The television and film industry makes use of the expertise of  GRIPS and they carry out various roles in the movie making operation.}.  Films are made within and outside the structure of major studios, and the function of Grips range accordingly. Within the studio, Grip function is considered to be in three categories: production, construction, and administration. A movie production enterprise, or company, comprises of numerous employees with distinctive abilities and education collaborating to create a film. The Key Grip, the Dolly or Crane Grip, the Key Grip and any quantity of Grips within the company are classified the Grip personnel. The main people involved in the execution of the director’s ideas are the cameraman, the gaffer (the lighting department leader within the corporation) and the Key Grip, are classified in the technical crew. The Dolly Grips organize for a moving camera shot by constructing the track upon which the dolly or crane will roll, carrying the camera. They too are the people in charge of moving the dolly or crane when filming.  Grips also partake in handling lighting; as soon as lighting technicians have positioned, focused, and set up the lights, it’s the Grips’ job to assemble the equipment to produce shadows that are needed for supplemental effects.  The Grips do the job if the walls are to be moved in the set for better camera positioning. The labor of Construction Grip is prior and subsequent to the generation of authentic photography.  Prior to the initiation of photography, Grips render aid by delivering set components that are stored and putting them to be renovated by propmakers or carpenters. Grips also reorganize the sets from the storage if the circumstance calls for it. Grips build hanging scaffolding over the perimeter of sets upon which lights used in the photography are placed.  They also build non moving and rolling scaffolds for platforms to hold the sets, the lights, and the camera. The Grips also set up when a large, painted backdrop is entailed to mirror a sight through doors and windows. Grips also maintain these backings by use of their sewing area. After the photography is accomplished, the Construction Grip crew is responsible for dismantling the backings, sets, and scaffolding. Although most Grip work demands physical labor, some administrative work is also associated. The Key Grip is needed to accompany the cameraman when scouting locations to analyze the need for Grip equipment. The Key Grip also must be advised ahead on the equipment necessary for the sound stages through coordinating with the cameraman and director as well as browsing through the script. The Second Company Grip is usually responsible for purchasing the equipment and any items or supplies needed to perform the Grip work necessary for production. Grips have a significant part in preparing and planning functions needed to meet production agendas.