The Best Movies category awards the best-reviewed film regardless of their release, whether they went straight to streaming or swung onto the silver screen. Spider-Man: No Way Home became the mega-cultural event that would entice moviegoers back into theaters, and it lived up to the hype for critics, as well. It was a music-filled year with In the Heights, West Side Story, and Summer of Soul. On the heavy side, some big tomatoes for Pig and a career-best Nicolas Cage, Jane Campion’s first-in-11-years The Power of the Dog, and A Quiet Place Part II, everyone’s collective exhalation through horror. Meanwhile, Raya and the Last Dragon, The Mitchells vs the Machines, and Coda brought representative, progressive ingredients to family storytelling.
The order reflects Tomatometer scores (as of December 31, 2021) after adjustment from our ranking formula, which compensates for variation in the number of reviews when comparing movies or TV shows.
#1
Critics Consensus: A bigger, bolder Spider-Man sequel, No Way Home expands the franchise’s scope and stakes without losing sight of its humor and heart.
#2
Critics Consensus: Lights up for In the Heights, a joyous celebration of heritage and community fueled by dazzling direction and singalong songs.
#3
Critics Consensus: Deftly interweaving incredible live footage with a series of revealing interviews, Summer of Soul captures the spirit and context of a watershed moment while tying it firmly to the present.
#4
Critics Consensus: Like the animal itself, Pig defies the hogwash of expectations with a beautiful odyssey of loss and love anchored by Nicolas Cage’s affectingly raw performance.
#5
Critics Consensus: Brought to life by a stellar ensemble led by Benedict Cumberbatch, The Power of the Dog reaffirms writer-director Jane Campion as one of her generation’s finest filmmakers.
#6
Critics Consensus: CODA‘s story offers few surprises, but strong representation and a terrific cast — led by Emilia Jones’ brilliant performance — bring this coming-of-age story vividly to life.
#7
Critics Consensus: Another gorgeously animated, skillfully voiced entry in the Disney canon, Raya and the Last Dragon continues the studio’s increased representation while reaffirming that its classic formula is just as reliable as ever.
#8
Critics Consensus: Steven Spielberg’s West Side Story presents a new look at the classic musical that lives up to its beloved forebear — and in some respects might even surpass it.
#9
Critics Consensus: A nerve-wracking continuation of its predecessor, A Quiet Place Part II expands the terrifying world of the franchise without losing track of its heart.
#10
Critics Consensus: Eye-catching and energetic, The Mitchells vs. the Machines delivers a funny, feel-good story that the whole family can enjoy.
#11
Critics Consensus: Enlivened by writer-director James Gunn’s singularly skewed vision, The Suicide Squad marks a funny, fast-paced rebound that plays to the source material’s violent, anarchic strengths.
#12
Critics Consensus: Shang-Chi and the Legend of the Ten Rings isn’t entirely free of Marvel’s familiar formula, but this exciting origin story expands the MCU in more ways than one.
#13
Critics Consensus: A ruefully funny calling card for debuting director Emma Seligman, Shiva Baby transcends its sitcom setup with strong performances and satisfying insights.
#14
Critics Consensus: The Velvet Underground takes a fittingly idiosyncratic approach to delivering a rock documentary that captures the band as well as its era.
#15
Critics Consensus: The Truffle Hunters explores a world most viewers will know nothing about — with delightfully savory results.
#16
Critics Consensus: Quo Vadis, Aida? uses one woman’s heartbreaking conflict to offer a searing account of war’s devastating human toll.
#17
Critics Consensus: Slight but suffused with infectious joy, the beguiling Luca proves Pixar can play it safe while still charming audiences of all ages.
#18
Critics Consensus: Led by Noée Abita’s outstanding central performance, Slalom offers a moving account of oppression and abuse in the guise of mentorship.
#19
Critics Consensus: Drive My Car‘s imposing runtime holds a rich, patiently engrossing drama that reckons with self-acceptance and regret.
#20
Critics Consensus: Clear, concise, and comprehensive, Coded Bias offers a chilling look at largely unseen side effects of modern society’s algorithmic underpinnings.
#21
Critics Consensus: Their albums may be cult favorites, but this Edgar Wright-directed documentary offers an introduction to Sparks that has something for everyone.
#22
Critics Consensus: A brilliant forum for Penélope Cruz’s talent, Parallel Mothers reaffirms the familiar pleasures of Almodóvar’s filmmaking while proving he’s still capable of growth.
#23
Critics Consensus: A strikingly assured debut for writer-director Maggie Gyllenhaal, The Lost Daughter unites a brilliant cast in service of a daringly ambitious story.
#24
Critics Consensus: A clear-eyed look at an extraordinary subject, Mayor makes essential viewing out of one politician’s quest to preserve dignity in the midst of bureaucracy.
#25
Critics Consensus: A remarkable feature debut for director/co-writer Filippo Meneghetti, Two of Us tells a deceptively complex love story while presenting a rich acting showcase for its three leads.
#26
Critics Consensus: Mass requires a lot of its audience, but rewards that emotional labor with a raw look at grief that establishes writer-director Fran Kranz as a filmmaker of tremendous promise.
#27
Critics Consensus: Beautifully filmed and emotionally impactful, Luzzu uses one man’s story to capture the struggles of a region at a cultural crossroads.
#28
Critics Consensus: Urgent and empathetic, Changing the Game takes an affecting and admirably nuanced look at young transgender athletes.
#29
Critics Consensus: Acasa, My Home presents a powerful documentary portrait of one family’s odyssey that illustrates bittersweet truths about freedom and society.
#30
Critics Consensus: Sabaya presents a scary and sobering look at human suffering — and the efforts of those dedicated to ending it.