Reportage Wedding Photography continues to be thought, by some, as being a new sensation. Really, it possesses a lengthy history but has been called candid photography from the context of a wedding event. Regarded by the drastic traditionalists (an uncommon type now) to be a emerging fad, it had been thought to endanger the easy supremacy of the structure associated with the camera having its staged pictures and posed set-upsDuring the old style, photographers normally stood a huge camera mounted upon a tripod in addition to a hood covering the head of the photographer. This highly conventional and really artificial craft of portraits came to be, like many of the present social normalities, of digital restrictions. Way back when, photographic digital technology needed extended exposure periods, long winded plate or film shifts and needed “hold still” poses. Fast 35 mm film effectively fixed this issue, once again with various limitations. Lighter cameras storing rolls meant that photo-journalistic techniques could then be used on marriage photography.The game changer was that wedding photography must be posed, no longer. Marriage Photography could then come to be Reportage Photography. Special instances, impossible to recreate in a pose are only achievable when the individuals are un-aware that the camera is in use. Fast film provided this to a degree, although the fastest film was ISO 1600 or 3200 and turned out to be very grainy. In truth the grain caused by fast film (that enabled action freezing photojournalism in low light) grew to become a signature “look” seen in Time magazine as well as other renowned journals.Of course, Wedding Photography in London started to borrow this unique look and start calling for the grainy black and white look. That grain is of course a kind of visual artefact – a distortion of the truth in reality. Modern day technology now takes this approach several steps further with the equivalent of ISO 102,000 available on many machines. A shot at ISO 6400 is now considered routine – providing incredible reportage wedding photography options to the photographer – with no grain to be seen.On occasion modern London Wedding Photographers (like myself) willbe asked to add a simulation of celluloid film grain to an otherwise clean photograph. Even though it can look great, it’s an intriguing fact of aesthetics that a photograph can appear a lot more enduring and genuine with artefacts added to it.Part of the maturation of reportage wedding photography has to be the evolution of the Wedding Album. Rather than deliver a couple with a simple book with best pictures positioned in order of preference, the wedding photographer’s task now includes the planning and format of a book that will tell the story of the wedding day. Photographs are placed into a digitally published book, in chronological sequence. Every shot relates to the next picture as part of a continuous narrative, providing strongly back the thoughts of the special day.